Locus Review



Threshold Shift, Eric Brown (Golden Gryphon, 1-930846-43-6, $24.95, 218pp, hc) September 2006. Cover by Bob Eggleton.

When considering single author collections, the "theme" is not so much the concern. Often, indeed, one wants the opposite: a representation of the writer's range. Especially with an author's first American collection. This book does a good job representing Eric Brown's range: it depicts him doing what he does best very well. And what he does best is colorful, unabashedly story-centered, rather old-fashioned in settings and plots, but if old-fashioned on the outside still quite thought-provoking on the "inside."

Brown has been a very prolific writer of short fiction over the past 20 years or so, but he is not very well-known in the U.S. The great bulk of his stories have appeared in British magazines: mainly Interzone, but also Spectrum SF, Postscripts, and others. (He was also a regular in the U.S. magazine Science Fiction Age before its unfortunate death.) He has twice won the British Science Fiction Association Award. This fine collection will hopefully introduce him to a new set of readers: it is his first to appear in the U.S. (he has had two earlier British collections).

I've long enjoyed the best of Brown's stories, while finding him a bit uneven. Threshold Shift is a strong selection, featuring his two BSFA Award winners. One story, BSFA winner "Hunting the Slarque," is from an extended series documenting the last years of the planet Tartarus, whose sun is about to go nova. I thought the series a bit repetitive, but selecting one story avoids that problem. "Hunting the Slarque" is Brown at his most, well, lurid, but still satisfying, about a Hunter hired to track down the two surviving legendary Slarque, creatures native to Tartarus, creatures who (along with some humans) wish to stay on Tartarus and perish with the planet.

Three stories come from a long series of stories, collectively my favorites among Brown's work, concerning the alien Kéthani, and their gift to humanity: immortality. Brown's usual concern with the stories is the ethics of immortality, as opposed to the Kéthani themselves. For example, "Thursday's Child" very movingly considers a couple with opposing views: the husband is in favor of accepting the Kéthani offer, and indeed he works in "collection": picking up the dead and sending them via Onward Station to the Kéthani planet for resurrection. But the wife is opposed, and she has resisted allowing their daughter to be implanted with the chip that allows resurrection. But then the daughter becomes ill . . . In "The Kéthani Inheritance," it is the man of a couple (in this case a new couple) who resists implantation, partly because he's not sure bad people should live forever. But his new lover doesn't want to lose him, and when both lose their parents, their perspective is altered. The other Kéthani story is a bit different. "The Touch of Angels" is the only original in this book, a murder mystery which ends up giving us a bit more insight into Kéthani motives than previous stories.

Other highlights include the other BSFA winner, "The Children of Winter," a colorful romantic story of an alien planet with multiple races, including of course the mysterious humans; and a collaboration with Stephen Baxter, "The Spacetime Pit," which reminded me of an old Algis Budrys story, "The War is Over," as it told of a woman crashed on a primitive planet, and her long wait for the inhabitants to develop the capability to save her.

The rest of the collection is also entertaining. Eric Brown is a so far underappreciated writer — perhaps because he's not really flashy and new, perhaps because his lesser works are sometimes disappointing. But he does what he does best very well, and work like that showcased here is very fun — and also thematically engaging.

— Rich Horton, Locus, October 2006



 

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